Yesterday I started my first-ever 365 project. The season really went into full, non-stop-work mode last week, so this isn’t the best time for some deep, time-consuming personal project, so I’m keeping it vague: I will post a photo online every day over the next year. Some of them will be here, some on the countless different social media profiles photographers tend to collect along the way, but all will be collected on my business Facebook page.
I haven’t done a preponderance of personal work over the past six years not only because I’m shooting for work all the time, but because that work is so personal. A friend of mine said years ago: “I love weddings because the kinds of photos I’d want to take for free happen there, but I also get paid for it.” Weddings very quickly allow me to get to the stuff that matters in people … the emotion, the connections, the history. It might take days or weeks for people to become comfortable with a photographer around if you’re a long-form documentarian, but on wedding days it’s so natural for you to be there, and people have so many other things to think about, that you can get into the varied, real emotional life of people really quickly.
And it also allows me to play visually in so many different ways, because your only real instruction is “here’s the time you have, let’s see what you can do.” Shooting portraits with a wide-angle lens is general rule-breaking. Shooting with a 12mm lens is general insanity. Shooting from a lower angle with … well, you get the picture. The reasons for this is that it takes all sorts of tricks and learned skills to keep this sort of shot flattering, but it can be done. And it opens up the door to creating images that look completely different than the actual scene. Here all we had was about three minutes, a parking lot filled with cars, and rapidly oncoming rain. The lens stretches the venue behind them and the tree above them into looking like they’re on the same plane; the addition of light transforms them from three-dimensional objects to shapes.
I get to play, to try things that, by the rule book, are completely crazy, and then within minutes share in the chaotic emotional energy of a wedding celebration? Most of my job is personal work.
Also, because of the in-season, mid-week timing, there are still some seats open for my May 28 and 29 workshop here in Brooklyn. I will teach all of the tricks to make images like this work and many more, and we will also take you through getting, working with, and maintaining clients. We’ve gotten a flood of people saying that the dates couldn’t work for them, so similar to some of the favorite workshops I’ve done we’re going to allow signing up for just one day: May 28, the shooting-heavy day that runs from 11 a.m. to 10 p.m., with breaks for lunch and dinner, will be $650. May 29, featuring portfolio review, all aspects of getting and pleasing clients, and running a long-term wedding photography business that sustains you financially and emotionally, will be $450 for 10 a.m. to 7 p.m. Both days (which is recommended) is $1,000.