I can’t wait to tell this full story once I’m done processing all the photos, but for now all I’ll say is that this fantastic bride had a heck of a week…
Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6
Light: Westcott IceLight
I realized sometime last year that I no longer really have an “off season.” I do, however, have a somewhat sane season, and that is soon coming to an end. Even then, though, it’s hard to stay idle for one simple reason: I really like my job. I get twitchy if I’m not telling stories, creating images, and trying new things, and the winter and early spring are perfect time to take some of that energy and share it with others through workshops.
In February I had my first international workshop in London — I figured it would be a bit tricky to host a workshop abroad, so I figured a hop across the pond would be the easier than starting in translator territory. And we had a great time even though there London was in a freezing spell and the studio manager, apparently unaware of basic principles of convection, put the heater on the ceiling. But we kept our coats on and had wonderful experiences, from working with the fantastic Claudia Nallely to competitive foosball matches after each workshop.
I also learned I have so much in my head from shooting 325+ weddings that eight hours is a staggeringly short amount of time. The perfect length for a workshop, I think, is either 20 minutes or six months. So I’ve strengthened a lot of the free continuing support I provide to participants with separate portfolio reviews, continued online help, direct access to raw files for some of the trickier techniques I use, etc. This continued networking also allowed me to use feedback from members of every workshop I’ve ever given to create an even better, more formalized structure, one that I believe in more than ever, dividing the overlapping worlds of being a better photographer and being a better professional into two days. I debuted this at a workshop this past weekend at the studios of InFocusNYC Photography, and it went better than I could have hoped for. The studio was the perfect space for the group (and properly heated!), studio managers Pete and Daria were incredibly helpful, and I had an all-star cast helping out, from my studio manager Wendy lending her perspectives on the business day, to amazing past couples of mine I was thrilled to see again: Elizabeth and Anthony, Ariana and Eric, and Chika and Andrew.
Much like I learn to be a better photographer from every wedding (which is why I shoot so many!) I learn to impart the hard-won lessons I’ve learned the more I teach, and I enter 2013 more excited and confident than ever about future workshops. Now, of course, I just have to figure out when and where these new ones can fit given the beginning of crazy season.
I also highly recommend the InFocusNYC studio for other events, and for those looking for studio shares. I believe they still have a spot or two open.
This image was a composite AND a panorama, but that wasn’t what made it so hard. No, it was the Universal Law of Shooting in NYC: When you have scouted a location, and the whole time you scouted there were no people there, and you really need no people to be there, right as you’re ready to shoot a hundred schoolchildren will flood the scene.
Camera: Nikon D4
Lens: 8-image “Brenizer method” panorama with the Nikon 85mm f/1.4G (equivalent of 42mm f/0.68 according to Brett’s calculator)
I love a good party, and it seems like weddings at The Foundry are always fantastic parties. There must be some sort of neural connection between the preferences that make people love the dark brick and ironwork of the space and of a propensity to do the chicken wing on the dance floor. I don’t have to tell you that Annie and Bill were extremely fun; you’ll see that below. But they were also laid-back in a way that we forget New Yorkers can be, focused on just a great time with each other and their loved ones. In fact, family was so close that Bill’s sister served as Best Woman, complete with a tux just for the ceremony. Whether it was searching for the right-fitting female tux, a giant pile of cheese instead of wedding cake, or the beautiful hanging lights, they made sure that this day was their own, and I was happy to record it. Thanks to the fantastic Dave Paek for doing another great job as assistant.
We’ve been having some pretty terrible weather in New York this year, but the grey, cold skies opened up for Anna and Steven’s wedding at Steiner Studios, giving us some time to traipse about Brooklyn. I love doing Russian weddings, even though it always reminds me how rusty my Russian has gotten since college (these days I am pretty much limited to being able to ask where the post office is.) There is so much focus on family, and it is always a great party, especially when Anna and Steven’s friends give a surprise (and surprisingly great) Russian pop performance at the reception. Thanks to Dave Paek for assisting!
What better way to get attention than photos of the gorgeous Kelsie in the Nevada desert? I’m hosting my first NYC workshops in a year on April 13 and 14, heavily tweaked to get the absolute most out of our time for new ideas and evolution as a photographer and a businessperson. See more information here!
A lot of the tweaking for this came during my preparation for my recent WPPI speech. I took only a brief break to photograph Kelsie out in the desert, including some fun with Polaroids on the Mamiya RZ 6×7.
Great friends, great food, laughter that wracks through your whole body, work friends showing surprisingly awesome dance moves, cheeky grandparents, two kind and soulful binding their friendship and partnership … and SNOW! I love this job, I love Tappan Hill, and I love these people. And thanks to Kacy Jahanbini for fantastic assistance.
I’m in the air over Iowa now on the way to WPPI, where I will close out the party with a lecture on what to do when you’re shooting a wedding and everything seems to be working against you (otherwise called “most weddings ever.”) What better way to get ready for it than shooting two weddings? So much more to come; here’s a quick fix:
I’m pretty sure this is the soonest after a wedding that I’ve ever blogged the images — chalk it up to a pre-WPPI convention burst of productivity. But also these make me excited for a number of reasons. First, Jenna and Aaron are awesome, hilarious, and brilliant. I really love how frequently the best man and maid of honor speeches mention how freaking smart my couples are, since if smart people hire you, maybe you’re doing something right. Aaron, after all, if the sort of fellow who had Hegel’s Phenomenology of Spirit, a thoroughly impenetrable book, out as pleasure reading. Sadly there were more important things going on than for us to sit and share a dialectical chat.
But also this was my first wedding since being named of the top 10 wedding photographers in the world by American Photo magazine, and my first wedding since the Foundation Workshops. Contrary to what you might think, the former fact never entered my mind all day. But Foundation loomed large in my mind — I have spent my entire career working as hard as I can to show lasting moments, people’s personalities and how amazing they look at their wedding day, but the intensity of the Foundation Workshop made me work harder than ever at being a perfectionist along the way — stressing over every millimieter of what is and is not included in each frame. Of course, sometimes the moment is strong enough that you just go for it — the ring bearer kissing his brother was impossible to frame perfectly, but even just mentioning the existence of the photo made their mother break out in a huge grin.
Also, though for a mix of modesty and SEO purposes she doesn’t want me to mention her name, I was joined by the amazing T, and she KILLED it. Lots of great photos, and even when running the photobooth she managed to take a simple setup and create art! I’ve never been so tempted to put photobooth images in a blog post. Thanks, T!
I’m so excited for 2013, and this was a great way to kick off the main season!