Backlit shot from Gianna and Sebastian’s first dance.
The extra member of the wedding party checks out the spread.
MomentJunkie.com — the new site I co-founded devoted to highlighting great moments on wedding days — is really taking off fast! And all of the thought that I’ve put into that launch process has already heightened my energy and vigor in seeking out great moments for my 2011 weddings. Thanks to all the participants so far!
One of the fantastic things about working out of NYC is that I feel like a specialist in about 18 different cultures. I sometimes know the ins and outs of Jewish and Hindu ceremonies better than the people getting married; I can tell you how to set a table for a Basque wedding, and I absolutely knew that Cai and Johnny were going to have a fantastic day with their East-meets-West wedding at Dyker Beach. I always get a big kick out of the Door Games that traditional Chinese weddings make the groom and his groomsmen go through — whether or not they were fans of having to put on lingerie and drink increasingly disgusting liquids so that Johnny could meet his waiting bride.
The day itself was great — fantastic weather and a very strong sense of family. In most big weddings there are guests who the couple doesn’t know so well, but here I could see their connection with everyone they talked to. There we plenty of Western touches as well, from her gown to their friend officiating the ceremony with his iPad.
I’ve gotten a lot of requests to do workshops outside the NYC area, and I did a test seminar in New Orleans back in 2009, but I wanted to wait until I could be sure I could take this show on the road and do a great job with it.
March 18th and 19th are that time.
This workshop, “What Would MacGyver Do?” will take some of the best things I’ve learned in the shooting and business workshops I led in 2010, as well as all of the preparation work I did for my DWF lecture in January. We’ll be taking the kinds of real-world problems that wedding and portrait photographers deal with all the time — bad light, not enough time, bad locations, awkward subjects, and more — and working through them to get technically and emotionally compelling photographs. Recommended for people-shooters who can at least count upward in f-stops.
This is a night-and–day workshop, with the night of the 18th given to networking and discussions of the hows and whys of shooting professionally. I take great care to make sure that people can get benefits not only from me, but from lasting connections to other photographers with shared skills and interests, and it’s been great to see lasting friendships come out of previous workshops.
Cost is just $500 for registration before March 1, and $600 thereafter. E-mail email@example.com to sign up or get more information.
Fun fact: This will be the first of my workshops planned by more than one Brenizer.
UPDATE: I should note that with my current schedule I won’t be doing many workshops this year. My current plans are one West Coast workshop, one East Coast workshop, and one in December in Asia. Going to be another busy year with lots of fantastic clients.
One thing about being a wedding photographer is that you spend a lot of time in hotel rooms, thinking about how to photograph in them, the lighting of them, the obstacle of overcrowding … but it’s the one part of the wedding day that is always, always at daytime.* So with the modicum of free time I had in my recent trips to Texas, I’ve been playing with shooting in relative darkness, giving me total control over the light I do and do not want.
*Assuming you aren’t photographing in the Arctic Circle.
Here’s a little side-project I’ve been working on with photographer Kyle Hepp and the input of lots of other photographers: MomentJunkie.com, a new blog featuring the most tender, most quirky, most hilarious, most joyful, most heartbreaking images we can find from photographers all over the globe!
“Now Ryan,” you say, “You’re extremely busy, is it wise to spend time on a site mostly promoting the work of other photographers?”
I don’t know, from a business sense. But this is important to me. Beyond all the cool portraits and fun techniques and quirky compositional trends, weddings are about people, and the way they relate to each other. They are key points in the histories not just of brides and grooms, but of friends and families. I remember my aunt’s wedding where I first learned my love for the dance floor, where my mother broke my cousin’s foot on said dance foor, where we dinged the glasses so hard we shattered three of them. I remember my mother marrying my step-father where my family did The Wave during the ceremony. And yes, I still remember my own wedding, and I treasure so many of the photos of it even if the relationship was not meant to be, because they showed joyful, tearful, and crazy sides of so many people I hold dear.
Despite what a hundred reality shows will tell you, weddings are about people. The rest is just window dressing. Viva la revolución.
I spend so much of my professional life managing the thinly controlled chaos of weddings that it makes me want to take whatever chances I can get to exercise total control. Of course the problem is that I LOVE the chaos; I find studio portraiture relatively uninteresting. So I figured I could split the difference, bending existing locations to create pre-conceived scenery, even if it means my assistant and I throwing towels over half of the light fixtures in a hotel hallway.
These days, it’s easier and easier to take great shots of people, especially with a subject like Claudia, so I’m increasingly interested in photos that bring up the question “Why is this beautiful person in fabulous clothes here?” And whether the question is overtly answered or not, I want that answer to be something more than “because a photo was being taken.” I have some personal projects in mind that will explore this in-depth, but we’ll see when that happens — 2011 has again blessed me with lots of amazing clients.
The lighting in this one, like in yesterday’s photo, is using a very low-powered Litepanel Micropro as a main (here with a warm gel) and the light from a TV as the kicker/background light. It’s motivational light, making sense with the scene, and gone are the days when you had to fake TV light with bright blue-gelled hot-lights — now I can just use ISO 3200 and f/1.4.
I call it the quickest renewing of vows I’ve ever seen. After Kunal and Michelle married each other in a beautiful Hindu ceremony at the Hyatt Regency, they changed, gathered their guests, and married each other again in a stunning Catholic church, before heading back to the Hyatt to party the night away.
And so this wedding had everything, from the gorgeous color and raucous energy of an Indian wedding — including Kunal’s processional on a horse — to the couple looking fantastic in Western style in the evening. Horses, Banghra dancers, fireworks … oh my.
As you might imagine, having two weddings back-to-back made for a long day, but people were having way too much fun to slow down, especially with Michelle and Kunal’s epic dance-off. I won’t say here who got served.
It was a no-brainer that Stephanie and Rob’s wedding would be fantastic. We had a memorable engagement shoot, they had fantastic taste in venue, and it’s always a pleasure to work with the great planning team at Private Receptions again. But it was all of the little things throughout the day that kept taking things to the next level — Stephanie’s fantastic retro-modern style, an easygoing nature that kept both of them laughing even through the ceremony, and a great atmosphere.
People ask me how I stay energized through the physically and mentally demanding task of shooting a wedding, but with clients like this, how could I not?