Layers of a Lovely Day

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Sometimes the problems solve themselves, at least when you have brides like Jennifer, awesome enough to brave a forest trail in a gorgeous couture gown. We’ve had this strange but beautiful thing where all the rain and nasty weather has fallen on weekdays. The New York Times even had to point out that there is no reason for special seven-day cycle in the weather. Me? I credit karma.

Apparently the reason that sometimes you come to my site and there is no site here is that someone out there has been attacking ryanbrenizer.com for a long time. We’re working on fixing it, but in the meantime, please hold back for a bit, Mr. Cyber-Jerk. I have so much great stuff coming to the blog this week, from gorgeous weddings to camera reviews, that we’ll probably bring the site down all by ourselves.

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G

Rain in the Rockleigh

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The first time I shot at the Rockleigh Country Club, it was just 36 hours after Hurricane Sandy destroyed the region. This time, I was second-shooting for the fabulous Tatiana Breslow, and during the reception everyone’s phones started clanging with flash flood warnings. So our reaction? Let’s go out in it! Thanks to the Michelle and Michael’s willingness, an intrepid Tatiana lighting, a helpful wedding guest, and four umbrellas, we made this shot work in the driving rain.

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6 II

The Cove, Eleuthera: Wedding Photographers at Play

Tatiana and I are famous for the kinda-sorta-vacation. I spent my birthday in Barcelona … processing weddings. Tatiana spent Christmas in midtown Manhattan … processing weddings. We’ve done work in places we should be enjoying ourselves all around the world. But at least once we got to turn it around a bit.

One of the great things about weddings is that people tend to want them to happen in pleasant places and times, and sometimes it works out really well. Looking at my calendar, I realized I had a wedding one weekend in south Florida, and a wedding the next in the Bahamas. The stars were aligning, virtually forcing us to sit down, shut up, and just enjoy life for a few days. And there are few better places to do it than The Cove in Eleuthera, a place so magnificent in its celebration of relaxation that the only choices you can make are “Do I sit in this hammock or that one?” or “Which beautiful ocean cove should I swim in now?”

Of course, Irish people and the sun are natural enemies, and I learned after my first day paddleboating and exploring the island that sunscreen and even khaki pants can only do so much for my vampiric brethren. Still, it was a gorgeous time with a gorgeous woman … and we both took some pictures along the way. More about those weddings quite soon…

(Some of these are by me; some are by T. Some are by DSLR, and some are by iPhone.)

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Battery Gardens Wedding: Michelle and Michael

One of the things that makes being a wedding photographer feel special is that I so often get to go out and document the formation of a new family. Who knows the trials and strength and joy that lie ahead, but I get to capture the moment when it all coalesces in one giant celebration. This was doubly so with Michelle and Michael, who were not only celebrating their marriage, but their new role as soon-to-be parents. And it was a celebration — at the start of the day, neither of them new the sex their baby would be, but one person did know — the cake-baker. They sent the hospital notice unopened to the baker, who would make the frosting inside blue if it was a boy, and pink if it was a girl. I’ve seen more than 400 cake-cuttings in my time, but none were as meaningful as this one.

Which one was it? Look below and you’ll find out…

Thanks to the awesome Jashim Jalal for second-shooting!

































Engagement Photography tips with B&H!

Thanks again to the great production team at B&H Photo, who came in to film a segment about engagement sessions with me. Here we discuss not only some of the advantages to these sessions, but my general approach to planning and discussing them as well as on the shoot itself.

And thanks to Jen and Charles for posing for us, and doing a great job even though they had never met! Jen’s actual fiancé had a last-minute schedule change … we don’t normally provide stunt doubles for shoots but we’re always willing to go the extra mile!)

Here’s a frame from the shoot:

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Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6

Sacred Oaks at Camp Lucy Wedding: Taylor and Brandon

In the world of modern families, we might need some new descriptors. It may sound mostly confusing to say that Taylor is my step-half-neice, but the important thing is that she’s awesome. She’s filled with warmth and giant smiles even when she’s not getting married, so all of the beautiful lighting at Sacred Oaks at Camp Lucy was redundant; she could have lit the whole thing by herself.

It didn’t matter that the off-again, on-again rain turned on again, disallowing the gorgeous outdoor ceremony they had hoped for, they were far too excited for that. And man, I know Texas is proud of a lot of things, but the Austinites’ performance on the dance floor should be high on that list. This would have been a fantastic, uplifting experience even if it didn’t allow me to see my sister and her family, or if I wasn’t seconded by the fantastically talented Tatiana. But I was. Thank you for experiences like these.

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Streaming Live at 5 p.m. at BandH.com/wedding!

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This photo makes me happy because it was always my secret favorite from my latest Obama shoot, even if not the obvious choice. There’s a hint of storytelling and context to it with the woman’s hand, the man straightening his tie, and even Pete Souza poking around the corner. The President is still perfectly identifiable thanks to his famous ears, and it’s an angle you don’t get to see often because it is not easy to get two feet behind a sitting POTUS (I had to do a great deal of friendly negotiating with the Secret Service).

I’ve been lucky to be in lots of wild situations, and today brings a new and exciting challenge — I’ll be speaking about business and how I keep things fresh and exciting despite my massive workload today thank to B&H Photo Video Pro Audio, and we’re streaming it for FREE! at http://bandh.com/weddings. See you at 5 p.m. Eastern!

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G

Watching over Cristian (Viña Santa Rita wedding)

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This is probably my favorite “tilt-shift candid” I’ve taken. The groom, named Cristian, prays during his wedding ceremony in Viña Santa Rita – Copiapo, Chile. Thanks to Kyle Hepp for having Tatiana and I tag along for this gorgeous wedding. She’s just posted more photos and the slideshow on her blog: http://www.kylehepp.com/2014/03/matrimonio-vina-santa-rita-2/

Lens: 45mm f/2.8 PC-E
Camera: Nikon D4

Greetings from Chile!

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This is my last day of travel in Chile, and it’s been a wild ride. Thanks to the 40+ talented, fantastic people who attended my workshop and especially to Kyle Hepp, who hosted Tatiana and I and showed us how to live. So much more to come…

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6

Going Nuts With Hues in the New Studio

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We’ve been up to a lot of big things behind the scenes over the off-season, and the biggest is a move to a new studio in Cobble Hill, Brooklyn! It’s coming together as a fantastic place for meeting clients and being relentlessly productive in style, but as a photographer one of the things I’ve been most excited about is the lighting. We have the place tricked out with Phillip Hue lights, smart LED bulbs that can transmit 16 million colors, controlled by software on your phone.

So I thought we’d get a little crazy. This whole scene, from key lights to hair lights to rim lights to the tonality on the walls, is lit just by the two light fixtures you see, and a third Hue on an extension cord, composited into a LOT of frames.

Yes, this is how Tatiana and I amuse ourselves on a Tuesday night. We get to create something a bit different than I’d ever seen before, practice iterations of some new techniques we’ll be tweaking a lot this year, and have a great time doing it.

This is just a small corner of the studio … you’ll see more soon!

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6