In the Fairy Kingdom of Manhattan…


Seriously, who knew?

PS: If you like shooting Brenizer Method images, you’ll want to watch this blog in the next couple weeks. Trust me.

Camera: Camera: Nikon D4
Lens: 28-image “Brenizer method” panorama with the Sigma 85mm f/1.4 (equivalent of 27m f/0.44 according to Brett’s calculator)

JPanda - Beautiful image!

and 27m f0.44!! lol quite a focal length & aperture :D

Seth - Kapow! Love the DOF and your use of the location. Lighting is perfection.

Max - Awesome, one of my favorite brenizer method pics! I struggle so much with the OOF parts… I need to practice it a lot more, be more organized, are you doing a tutorial???

Anil Fernandes - I’ve been trying hard with the method but never got such DOF :(.
Hope you would disclose the aperture used that you use for these type of photos.

Elissa - Goodness, that is spectacular.

Kimo Okimo - amazing..

Allen Gresham - This is one of my favorite of your Brenizer’s yet!

Ashley MacPhee - What one can only wish someday to do.

mike - Spectacular indeed.

Aragian Marko - wow

Steve Philips - Stunning Ryan, love this!

Mary Stoyles - amazing!

David G. Whitham - Seriously, this has to be the best one yet.

Craig Cacchioli - Love it – dreamy

kenny - totally dreamy, esp like the hints of cherry and blackcurrant bokeh lurking amongst the minty green and ash greys

Martins Kikulis - Stunning shot this!

Kevin Mullins - What an absolutely gorgeous image.

Dmitriy Frolov - This is something beyond reality. Just a big-big WOW!

Joel C - Awesome framing and bokeh, but I can’t help but ask: Why’s there a chunk of his head missing?

Ryan Brenizer - @Joel: Nothing’s missing, that’s just a highlight and a part of the hair.

Micah G Robinson | Nashville, TN Wedding Photographer - Well done! Can’t wait to see what’s coming

Brian - Fantasy meets creative genius. This is brilliant stuff Ryan!

Lukas Gisbert-Mora - The resolution of that photo is breath taking, is there a certain D4 responsible for that or could you have done the same with the D3s?

Fotograf nunta Iasi - Awesome bokeh, this is beautiful image.

Emi L. - So well captured. This is one of the best wedding I’ve seen lately. Every photos just ” its own “.

Cheryl-Ann - Our story book fairy-tale coming to life!! Thank you a million times over for everything!

Mark Andrew - Ryan, this is your best one yet. I’m inspired and plan on trying this with my couple this weekend as they want to do something a little different!

Pauline - what a breath taking picture!

Pauline Lee - what a magnificant and gorgeous picture of the soon to be husband & wife!

Christian Berens - wow! you are GREAT! They better have that photo on a 36″+ canvas! WOW!

Tracey Robinson - What a gorgeous photo!!

Neil Redfern - Absolutely stunning. A magical image

ithackermike - Ryan, I noticed in a recent Framed episode that you’re using the Nikon 85 1.4g. Did you switch back?

Ryan Brenizer - I keep switching tele primes because I keep breaking and losing them. I’m on my 10th I think.

Tribeca Rooftop Wedding: Kathryn and Mark

It seems like just last wedding I was at Tribeca Rooftop, but I’m showing them back-to-back to make a simple point: Venues give flavor to a wedding day, and Tribeca Rooftop is a fantastic place to have one, but what gives weddings character and structure are the people involved. You could have 50 weddings in a row in a featureless room and each one would be reflections of very different stories.

Especially with a couple like Kathryn and Mark. There’s not much I can say about their personalities that isn’t amply visible in the photos, but here’s a taste: They decided to have a dry-run for the wedding on top of a volcano in Nicaragua — and then they sledded down the obsidian slopes at literally breakneck speeds. Sadly I wasn’t there for that part.

This wedding brought a lot full-circle for me. I shot my first wedding many years ago as part of a long-term documentary I was doing with the International Center for Photography under the incredible Andre Lambertson. In January I decided to do a week-long intensive refresher to kick-start my year, and we connected on a different level. To my delight and surprise, he offered to shoot some weddings alongside me. I was honored and a little bit terrified (seriously, check out the resume), but more than anything I love a challenge, and we worked together extremely well, with further assistance from Taylor Hide. I can’t wait for future collaborations.

Congratulations, Kathryn and Mark. It was a pleasure to be at this fantastic wedding, and to relive it through making this post.

Sully - That looked like a really great couple who thoroughly enjoyed their day. Great captures Ryan!

Elissa - Aahh I want to be friends with this couple! They seem so cool!

Paul - This. Tilt shift pano awesomeness. Looks like their day was incredible.

Martin Ker - It’s always uplifting to see your work, Ryan even if it makes me realise how far I have to travel on the road; always in a good way though. Keep inspiring us and I’ll keep chasing, ha ha. Once again, great stuff. You do have to watch these Scots though :-)

Daniel K Cheung - Male upskirt? You’ve got my vote!

Spotlight moment is mental.

Brian - Excellent! Excellent! Excellent! I don’t know who took which photo, but I don’t care…it’s really good. Made me smile this morning!

Emily - I really love the portraits (especially the panorama), and the spotlight photo is soooo awesome!!!

MAY - Love every single one! Very candid like shots, amazing work Ryan.

Anushe Low - Fabulous work Ryan!

Anton Chia - I simply love your use of shadows. I looked at the pictures three times!

Jessica Schilling - So stunning! I love the way the groom laughs with his whole body and his head thrown back and how many great shots you captured of that much emotion. Looks like an amazing day.

Leo - Can’t say too much about this that hasn’t already been said, but your work, more than most, always reflects the actual feeling of the wedding day so beautifully, with its genuine emotions and moments, not to mention this ( that’s just ridiculous. Seriously awesome.

Alberto - hi Ryan, if it’s not a secret can I ask you in shot like this one on the left what technique did you used? a strobed flash, a multiple exposure (maybe the function of the 5dIII) or you shot through some sort of prism (maybe the border of a mirror or a some glasses). thanks in advance and compliments again! :)

James Curle - Amazing.

Adam Padgett - Dope. Looks like it would be a very tough place to shoot but you made it look so easy!

Lauren Kinde - Looks like a fun wedding! The dancing pictures made me smile. :)

heather nan - Loving the head back laugh of the groom, not once, but twice. The energy of this wedding is infectious. The bride’s reception dress is stunning too! Wonderful work Ryan.

Gabby T - Awesome job ryan, love the couple portraits and setting

Mark Couch - @Martin Ker – just an FYI mate, we’re not Scots we’re WELSH… those aren’t Scottish Kilts but rather Welsh Cilts. Only one type – St. David’s Tartan… not the various little dragons and the gold on Black cross of St. Davids.

Thanks for all the positive comments everyone – and Ryan, thanks again mate.

Christopher Smith - Bloody marvellous! Great, awesome pictures – some of the wedding celebrations are now coming back to me!

sarah black - It’s all gorgeous, atmospheric, incredibly observant and totally fun. But then I see the shot looking down over the ceremony from directly overhead, and the curls + bokeh, and we are in a whole new ball game. Stunning. And lol @Daniel on the upskirting.

Heather K - The gorgeous work here is like icing on the love-humor-and-good-times cake. What a fun couple!!! Thank you for capturing their day so beautifully and faithfully, so that we could smile along with them. :D

mike - Amazing work, Ryan.

Kellee Walsh - I nearly died laughing at the upskirt shot! Brilliant work as always Ryan :)

Tyler - genuinely inspired by your work. always makes me look twice. love it, ryan.

Tyler Branch - great job capturing their fun relationship!

Sachin Khona - Yes dude! love your ceremony coverage!

Ryan Brenizer - @Alberto: That was shot through the edge of a mirror. Thanks!

Richard Davies - Great Job Ryan especially the one of a dead Jones outside Puffy’s.

Kevin Wesley - Great photos of a great evening.

Richard Davies - Excellent photos, brings back some great memories.

Thomas Lester - The boys look like they were a handful. Great work. Looks like a fun night.

Alun Bishop - Absolutely brilliant!

Johanna - Always at the top of your game. I’m trying to figure out which one is my favorite, but every time I scroll back up and down, I find something new. :)

Harvard - You can’t beat kilts with red lanterns. Love the spotlight shot.

David Hamilton Jones - Amazing work! Although that is more than I want to see of my brother’s upskirt

Tenielle - Lucky the shadows were very deep on that lying down kilt shot. Ryan every post of yours is an insanely massive joyful, celebration, just how it should be. Now sing it with me.

Nathan Gilmer - I bet you had to be careful not to accidentally get any “up-kilt” shots huh? Great job on this man. Looks like a blast of a wedding.

Veronica Varos - Always wonderful.
Looks like a super fun group!

Clara brashears - Wow! These photos are truly amazing! What a wonderful job you have done!

Patricia - It was a great night and you captured the energy in every photo. Beautiful.

Lukas Gisbert-Mora - No better way to tell a story, amazing photos…

Derek - Gorgeous work as always Ryan, you told their wedding day beautifully through your images.

Dallas and D.C. Workshops review

I love teaching. I came back to NYC with dreams of being a teacher, filling minds with all the power that good photography and journalism can possess, the way I’d done as a student newspaper advisor in Northern New York. But I realized that one of the few things I love more than teaching was constantly getting out there and creating art, honing skills, testing and challenging myself. I still haven’t left that phase, and my blessedly full shooting calendar keeps me from teaching more than a few workshops each year. In fact, my upcoming May 19 workshop might be the last U.S. workshop I can fit in my schedule for the rest of 2012. But when I was approached by my friends and fellow photographers Lynn Michelle and Bill Millios to teach workshops in Dallas and D.C. respectively, I knew I couldn’t pass up the opportunity.

My pedagogical background always comes out when planning a workshop. Lots of people will pay lots of money for workshops from well-known photographers, but I’m deeply results-oriented, and I’m always trying to thread the needle on workshops’ Catch-22: Anything that will really change your life as an artist and a businessperson forever isn’t something you can reliably be expected to learn in a single day of group instruction. Real, lasting success comes from staying energized and focused so that you can undertake a lifetime of hard work without it feeling like hard work, or to have the endurance to continue on when it does feel like hard work. What I hope to do in a day is find those things that will light a spark, tools and techniques that might open new pathways, help you see solutions to problems in new ways, and give you perspectives on what works for me in a way that will easily let you see how to adapt it to your needs.

It’s never about being more like me. It’s about you.

One big piece of the technical aspects of these workshops is learning to overcome bad situations. Of course, when you’re shooting in a gorgeous space like the Marty Leonard Chapel we have to be creative to even find bad situations, such as pulling intimate moments like these…

… out of the Men’s bathroom:

(and yes, I have run into situations where the Men’s room was the least-bad location to shoot in on a wedding day.)

Thank you guys all so much for coming, and especially to Lynn and Bill for their hard work and general awesomeness. Now onto May in NYC! We are just about sold out, but there’s always some variation around the edges, so at this stage e-mail to check if spots are available instead of just paying the deposit first.

mike - Love the creative uses of space throughout.

Brian Di Croce - Very excited to attend your workshop in May! You + NYC + other photographers = a helluva of a weekend to me! :p

Elissa Rïnehart - Valerie seriously has one of the most stunning faces I’ve ever seen in real life. <3 Thank you for coming to Texas!

Chris Thomas - I would love to attend the DC workshop. Please let me know the details!

John W. Buckingham Jr. - Are you planing any workshops in Atlanta in 2013?

Brian Powell - nailed that close-up of Valerie.. very nice.
hey did you leave the light mod and hand in that chapel flash composite image on purpose?

Akeno Lopez - I had the privilege of being at one of Ryan’s workshops at Adorama last year and would love the opportunity to attend on of his full day work shops. Please let me know the details for the DC and NYC workshops.

I live in NYC, so the NYC workshop is my first option. If there is no space at that workshop, DC will be just fine.

Once, Twice, Six Times Fearless

One of my favorite wedding photography organizations around is Huy Nguyen’s growing Foundation empire, from the hard-core Foundation Workshop I’m excited to do in January, to the Foundation Conference I’ll be at in November to the best-known aspect, the Fearless Photographer contest.

When I started out, I used to enter and do very well in a number of contests such the WPJA, but after a while I started getting more and more focused on the work that I had yet to do, instead of the work that I’d already done, and I cared less and less about contest results. As I go on as a photographer, I feel more and more deeply that the metric I care about is both simple and maddeningly difficult — to constantly keep getting better than I have been before, to continually feel that at any time I am currently turning out my best work. I’m energized and inspired by the great work my photographer friends are doing, but on a shoot I don’t give them a single thought, I just think about how I can push myself forward.

But a couple contests kept grabbing my eye, such as Junebug’s annual curated list and Fearless in particular, just because the work was so consistently great. So, (after a few rounds of missing the deadlines), I submitted some of my work, and I got six Fearless awards, which I think ties me for first this round with some really fantastic photographers. This is really exciting for me just because of how great I think the Fearless/Foundation organization is, and because of how incredibly strong the selected photos are over all. This is a club worth joining, even if they have me as a member.

Here are the six chosen photos:


nadine - Congrats Ryan :) Well-deserved!

Steve Mackie - Epic. Your work inspires me to pick up a camera Ryan. Thanks for sharing.

AmyPunky Photography - This last photo is crazy!!!

Brendan - Well-deserved, each one.

mike - Congratulations Ryan!

Tara Welch - Thanks for getting Lionel in my head. Jerk. : )

Jeanette LeBlanc - Simply fantastic! Love the first image so much. And, as you’ll be in Phoenix next fall I simply insist that we’ll have to do a Vegas repeat on my turf (with less walking around looking for parties) :)

Max - I love the one of her sitting on the sink… I had not seen that one!!

Congrats all around though!

Mario - The first pictures is amazing. Is this a reflection shot?

Anton Chia - Congrats Ryan, all stellar images and the one sitting on the sink had always impress me.

Craig Cacchioli - That last shot made me laugh :)

Tribeca Rooftop Wedding: Heather and Peter

One of the reasons I love my job so much is that it’s different every day.

Really, you say? You seem to spend a lot of time hanging out with women in white dresses. True, but the people, the personalities, the nuances, everything is changing and different and new, always. It’s pretty easy to see that with a South-African/Persian wedding, like Heather and Peter’s fantastic day at Tribeca Rooftop. One second elegant and gorgeous, and the other with the groom showing that he does, indeed, have the moves like Jagger.

Always new, always exciting, and with a day like this doubly so.

Thanks to Jake Whyman for assisting; he did a fantastic job.

Max - As usual Mr Brenizer, this wedding is full of awesomeness!

Bogdan Sandulescu - Nicely done, as usually.

Martin Hambleton - You had me with the first silhouette; then I came to the shot of the bride against the sky. Oh wow. And it just kept getting better. Superlative work.

Paul Rowland - Can’t help but smile when seeing the reception pictures and how happy everyone is. Image on the right is awesome.

Anton Chia - Wow lots of great moments and wedding photojournalism. Epic portraits and lighting too. Bar none!

dan - amazing as always, love the shot of the couple sneaking a kiss off in the corner.

nadine - Love. I love the first black and white one, and also some amazingly unique portraits in here, Ryan!

mike - Masterful work, Ryan.

Craig Cacchioli - Oh yes. Another clutch of amazing photos. Lots of shots here that are making my head hurt trying to work out how you did them!

JPanda - Another set of amazing photos! Your wedding shots are so full of energy! I love it! ^^

Kyle - These photos are INCREDIBLE! You’ve outdone yourself Ryan.

Avelaine - No words. Bangin’. Well maybe that one.

Heather - LOVE all of these! They are incredible as always.

Lyn Ismael-Bennett - Beautiful photos as always, Ryan!

porter - love the energy in all these shots, but your portraits are AMAZING, killed it ryan, awesome work

Matilda Beezley - Oh Ryan, I LOVE the shot of them lying on the blue spotty stairs! Such a beautiful wedding once again! Yep, you’re the man.

Brittany - There are no words except Amazing!

Amber Hughes - This is another one of those situations where I couldn’t name a favourite if I tried. Seriously loving all the moments and portraits!

Tall - Always everywhere. Always at the right time. Fantastic.

Mark Higgins - Great work as usual.

shipra - Those South African Persians sure know how to throw done an incredible party. So much life and substance to these images, Ryan! And the way you see and use light is always so inspiring.

Neil Redfern - Wow – your work never fails to impress. So inspirational. I love the shot of the couple kissing on the dancefloor!

Martin Price - Absolutely stunning work, fantastic!

Shella - Such beautiful work! Just stunning x

Anil Fernandes - I’ve noticed in some pictures, the shadow areas become patchy with grains. Is it because of the low quality of jpgs for web?
or something to do with your style?

Derek Martinez - Gorgeous work Ryan. You tell a wedding story beautifully through your imagery.

(Provisional) Review: Fuji X-Pro 1

Specs and Pricing

120413 162659 35mm f1 4C35mm, f/1.4, 1/1700th, ISO 400

Stop me if you’ve heard this one: Fuji releases a delightful camera that’s not quite like anything else out there, but it comes with all sorts of quirks.

A lot of you will remember that the same thing could have been said about the X100, but honestly you can say the same of all of Fuji’s professional digital camera line-up, going back more than 12 years to the “frankencameras,” S1 and S2 Pro, which had great technology at the time but also felt like welded-on digital backs for the Nikon F60 and F80, respectively. They’re weird, they’re wild, and generally I love them for it. I ground the S2 Pro into fine dust from overuse, and the S5 Pro helped see me through the dark days of Nikon bodies with terrible high-ISO quality.

So now Fuji has merged its dormant line of professional interchangeable lens cameras with the aesthetic of the X100. It brings the retro styling and — most importantly to me — the fantastic hybrid viewfinder that turns from optical to EVF with a flick of a switch, and allows you to use a variety of lenses. Fuji released three at launch, the wide-angle 18mm f/2, the “normal” 35mm f/1.4, and the telephoto macro 60mm f/2.5 (the sensor is DX-sized, so each lens is cropped 1.5x the focal length equivalent to a 35mm frame). It’s a nice high-level kit, made even more interesting with the lenses coming down the pike. f/2.8 ultrawides? f/4 constant aperture zooms with IS? This all shows a focus on making an advanced compact kit with a great deal of versatility — in contrast to, say, the Sony road map, which is dotted with variable aperture zooms. They also have an adapter for M-mount lenses, and companies are now coming out with third party adapters for all sorts of other lenses — versatility that is an advantage of any sort of interchangeable mirrorless system.

I’ve played briefly with all of the lenses, but I’ve gotten to use the X-Pro 1 with the 35mm for a while now thanks to B&H. My friend Sam Hurd had me come along with him to a wedding, which gave me the opportunity to test this camera in ways I couldn’t do as a primary shooter. I have more than enough information to write a review as it is now, but from the start I need to make two caveats:

1) Virtually no third-party software, not even Adobe, supports the X-Pro 1 RAW files yet. I don’t know why the delay is so long. I can open the files in Fuji’s recommended Silkypix, but Silkypix is, in a word, terrible. Every company needs a RAW converter that at least will open up a file that looks like the JPEG the camera took, but in Silkypix out-of-the-box the files look much, much worse than the camera’s JPGs, so most of these are edited JPG files.

Luckily, the camera takes phenomenal JPEGs.

2) Fuji is becoming known for releasing half-basked cameras and then fixing problems in firmware. I know they’re already working on solutions to the biggest problems. But given that it took a full year to make the X100’s autofocus better, I wouldn’t hold my breath.

The body:

RKB 5175

As you can see, the X Pro-1 is significantly larger than the X100, but much, much smaller than my normal big, honking’ DSLRs. In fact, it’s almost exactly the same size as the Leica M9, which is full-frame (but also in a complete other price class). It’s also much larger than the camera that competes most with it on specs, the Sony NEX-7.

In practice, while you’re not sticking this in any sort of pocket, it feels quite nimble. The ergonomics are great for a square body, with a nicely modeled grip, and the exposure compensation wheel is extremely easy to nudge with your thumb without taking your eye away from the viewfinder. In aperture mode, the EVF will mimic the proper exposure, so you can very quickly and easily use the exposure compensation dial to expose your photos just the way you want to even in changing light. X100 shooters will be frustrated that they’ve flipped the OVF/EVF switch upside down, but that takes approximately 30 seconds to get used to. The shutter and aperture controls are the same retro dials as the X100, and a pleasure to use.

It’s much easier to change settings on the XPro 1 than the X100 in general, since important things like auto-ISO can be customized to not be so deeply buried in menus and a “Q” button brings up pretty much any setting change in two clicks that can’t be found on a top dial.

It’s a good looking camera, but it definitely needs some styling on the top plate. Put on a plastic red Leica dot and quadruple its cost, perhaps?

Battery life was decent as long as you don’t use the back panel or continuous focus all that much. It lasted me through a wedding and well into another shoot (though it wasn’t my only camera).

I love the viewfinder and use that about 95 percent of the time, but it’s nice to have the option to quickly switch to the LCD display live view, giving angles that are not always easy to get, like the lively legs of this father-daughter dance:

120413 201419 35mm f1 435mm, f/1.4, 1/125th, ISO 1250

And a 6 fps mode allows you to quickly capture action and the perfect moment, although after any use it throws the buffer into overdrive:

120406 155848 35mm f1 8D


Autofocus is a mixed bag, particularly in low-light. With a fast lens it could lock on to targets even in terrible lighting, but it takes a while at all times. Operation is a little faster in continuous focus mode, but it’s annoying to hear the camera constantly whirring away, and probably not great for the battery.

It’s not as responsive as is ideal, and I often felt like I was struggling against it instead of working with it, but as you adapt it can work well in a variety of situations, including strong backlight and at distance:

120413 154114 35mm f235mm, f/2, 1/450th, ISO 800

120413 163734 35mm f1 435mm, f/1.4, 1/850th, ISO 800

The images:
Even though I can’t use a proper RAW converter yet, the images from this camera are phenomenal for a DX sensor. First of all, noise is extremely well-controlled. This is ISO 12,800 in an extremely dark restaurant:

120410 224125 35mm f1 435mm, f/1.4, 1/100th, ISO 12,800

But better yet, Fuji has always had a keen understanding of color, and skin tones in particular. That’s what makes the JPEGs out of this camera so good. Without any tweaking you can get great portrait tones right out of the camera:

120406 144623 35mm f1 635mm, f/1.6, 1/60th, ISO 2000

The best thing I can say for it? When Sam saw me looking over the photos after the shoot, it took him a while before he realized they were from X-Pro 1. He thought they were the shots I took with the $6K full-frame Nikon D4.

One Big Problem and provisional conclusion

As has been reported many other places, the XPro 1 chitters like an Ewok when you point it from dark to light or vice-versa. This is a huge problem for my usage. I want this camera to be as silent as possible, not call attention to itself, and allow me to make people comfortable more quickly than I can with a giant DSLR. I can’t do that when it’s clicking like a spider-monkey. It’s audible, and it’s annoying. Now, this won’t really affect casual usage, vacation shots, even most street photography, but it does affect what I do. I know they’re working on a fix in firmware right now, and I’m eager to see what happens with that (and with RAW support), because I love the files from this camera so much. In the meantime, my X100 is working better than ever, because despite their quirks, Fuji has shows that they do care about continually improving their existing products and customer experience. That goes a long way.

Click here to buy the Fuji X Pro-1
Click here to buy the Fuji X 35mm f/1.4

More sample photos:

120413 184403 35mm f235mm, f/2, 1/350th, ISO 400

120413 133433 35mm f1 835mm, f/1.8, 1/1100th, ISO 800

120411 173844 35mm f1 435mm, f/1.4, 1/640th, ISO 400

120411 183637 35mm f235mm, f/2, 1/480th, ISO 800

120413 195332 35mm f1 635mm, f/1.6, 1/60th, ISO 2000

120410 144634 35mm f1 835mm, f/1.8, 1/60th, ISO 200

35mm, f/1.4, 1/52nd, ISO 800

35mm, f/1.6, 1/52nd, ISO 320

35mm, f/1.4, 1/125th, ISO 1000

Click here to buy the Fuji X-Pro 1
Click here to buy the Fuji X 35mm f/1.4

Paul - “chitters like an Ewok”. Is that the technical term for it? ha. Excellent review.

JPanda - X1-Pro is a camera which is near the top of my list of “wants” at the moment.

I have X100 right now and I LOVE this camera, small and quiet and VERY portable. The images straight out of the camera is very nice too. I use D700 and use X100 as a sub but it seems X100 is getting more use these days.

For someone who loves x100 and most likely be using 35mm (FX equivalent) mostly with X1-Pro, do you think it’s worth the upgrade to move from X100? (I will have to sell X100 if I were to get X1-Pro). Oh and I will always have a FX DSLR in my gear line up.

Thanks in advance for any input ^^

mike - Solid review, Ryan. Between your and Zack’s, I feel I’ve got a good handle on the camera.

David - Great review and stunning pictures as always. I’m sure they will iron out the quirks, in particular the RAW file support and the noisy nature of the camera. Looks like a winner and definitely has its place for wedding photography. That 12800 ISO example is just amazing!

Brad - Those are some beautiful shots! I have really enjoyed my x100 and glad to see Fuji coming out with more great products. Now for some firmware updates!

Nessa K - Awesome review! I take my DSLR with me everywhere, but I was talking to someone who wanted something smaller, nicer, and easier to control in manual than his current camera. I’m glad I have something informative to share now!

Also, Ewok chittering and clicking like a spider-monkey made me smile. :)

Eduardo Suastegui - Nice review, Ryan. Sounds like the XPro-1 is just not quite there, but the images are really terrific. Hopefully Fuji will make it right, and hopefully other manufacturers (like Nikon and Canon) will feel obligated to offer their own versions.

MikeD - As a professional photographer for more years than I like to count, I have been through about all of the gear that Canon and Nikon have to offer. Now strictly in auto racing, I first bought the X100, then added the little X10, both great in my estimation, now, after adding the XPro1, I can’t imagine Fuji doing any better. Just one longish zoom though, please. GREAT tools!

Marco - Hey Ryan! Lovely images as always :)

I have been using the X-Pro 1 for 5 weeks now and have pretty much the same experience as you with the camera. A year from non (after 5 FW updates) it’ll be nearly perfect. But for now we have to work with its quirks.

One thing I found a bit strange in your review was the reference to the huge focus point in AF-S mode. When you are using the EVF you can push the AF selector and turn the command dial to increase or decrease the focus point size. I use the smallest one with good results.

Marcus - I have the camera and all three lenses and really love it as an alternative to my D3 bodies – so much less to lug about!

I am still getting to grips with getting the best from it (and to shooting JPEG, which I never do with my Nikons) but when I get it right, it is spectacularly good.

Agree completely re the chattering blades: very annoying and I hope that they fix it and improve AF a bit too.

There are a number of other minor fixes I would like to see, including the menu actually showing when you press the menu or Q button, even if the rear screen is set to ‘off’! Also, a menu option to limit the 60mm from focusing closer than say 3m or so might speed up performance with that lens as it hunts quite a lot.

Overall, a great camera – although the card slot should have been put on the side, not in the battery area if you were being picky about the ergonomics!

Charles Le - Excellent review of this camera and excellent photography that shows that the camera is quite capable of capturing fleeting moments when in the right hands.

Howard Lucas - Thanks for posting this, it’s great to see some more ‘in the field’ use images. It’s the way forward and as has been mentioned once it’s had a couple FW updates it’ll really excellent.

t tapp - great review

Justin Ashton - Love the double exposure shot. I rented this camera for a week. I think it takes you back to the days where you really need to think about a shot. One thing I learned from the cam is if you push down the shutter in one motion and not stop halfway for it to focus it is much faster. The same work for the x100. There is about 1/4 sec delay but 9/10 pics come out crisp. I def going to pic up this cam for along side my d800 and d700 and can’t wait to try it at some weddings. Awesome shots with it by the way!

Erica - Thank you so much for the review and the gorgeous shots. I love the moments you captured, that split second when it all comes together, and the emotion is evident. You really do wonderful work. I particularly wanted to know whether this camera is capable of getting those shots, as that is what I like. My Canon 5D Mark III almost always gets it right, but I was hoping for a smaller, lighter, more discreet alternative. I love that you showed how Fuji renders skin tones and Bokeh. Have you gotten a chance to process RAW yet? And I’m wondering how you think the X-Pro compares to the M9? Particularly in terms of image quality. Thanks!

roland hale - An Ewok chittering spider money. Enough said.

David Clem - Could you please tell me what film simulation mode you used in these shots. Wonderful!

Thank you.

V. - The Image Quality from this reviewed encouraged me to give the X-Pro 1 a try, I now shoot them exclusively. They are brilliant for wedding documentary work, things keep getting better with Fuji’s firmware updates!

Coming Soon: Kathryn and Mark’s Tribeca Rooftop wedding

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Sometimes it’s the simplest frames I love the best. Little worlds; unadulterated joy.

Lens: Sigma 12-24mm f/4.5-5.6
Camera: Nikon D3s

rich - what a beautiful capture! so much joy!

JPanda - fantastic capture!

I almost feel ‘happy’ for him! ^^

mike - Loving the panoramic feel here.

Andy Holland - I love the photos, its look like you had a really good time taking them

Rob Tobin - Joy for the couple . CAPITAL J O Y
rehire attendants – I’ve had more interest from student assistants – only just !

Craig Cacchioli - If only the guests were paying more attention! Otherwise, a lovely wedding photo.

New workshop announcement: NYC on 5/19

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Amber Wilkie and George laugh it up between two vans in a “terrible location” demonstration at my March DC workshop

I’ve been around the U.S. with workshops this spring, but it’s time to take it back home to NYC. It’s going to be another year filled with lots and lots of wonderful weddings, so this may be the only NYC workshop I have time for in 2012, and possibly the last in the U.S. at all. Given that, I want to create an especially great experience for intermediate to advanced photographers who are looking to take their work or their business to the next level. This will only be for a small group, and will include a get-together on Friday night to kick off networking.

Read more on the workshop page!

Paul - For those on the fence about attending, you should definitely do so. What is taught is applicable to a variety of different genres of photography. As a wedding photographer, being able to take portraits / interesting pictures in less than ideal locations / situations occurs frequently, and no one does it better than Brenizer. Hearing his thought process when looking at a crap location is just awesome. Highly recommend.

Andrew Jones - is this a work shop for weddings.

Jolene Oldham - Rats. The one workshop this year I could get to and I’m going to be out of the area. Have a great one!

Tara Welch - Amber’s pretty dirty, she loves a good vanning! hahahah! I kid, I kid……..

adrienne - Gud job ! i love this all

Simon Dewey - Do you plan on doing any in the UK?

Desert Adventures


This one time, at photography camp, I took a bunch of people out to the desert. And then I took photos of Stephanie.

Not the end.

pia - nice car! ;o)

May - Love the light in each one of these shots!

ayesha - dude. stephanie is badass. especially shot #4… gorgeous!!! and yes, killer light throughout…

mike - Hah. Love the premise, love the light.

Dennis Pike - Anyone else immediately think “Entourage” when looking at the first photo? Also… #5 is ridiculous!

John - These are very nice photos! Love the lighting and the mood! ^^

Kim - You guys have way too much fun. ALL the fun, I’m pretty sure. Someday I’ll make it out to WPPI, just as soon as I grow a pair, that is.

Jose Luis Jordano - stunning photos, I like so much your blog, greetings from Spain

Micah G Robinson | Nashville, TN Wedding Photographer - Love these man!
Wish I lived anywhere near a desert than I’d take my brides/grooms there and do bridal photos.
Alas Nashville does not… Weddings in the green woods for me :-)

Fotografos Bodas - Stunning light, dude.

Featured on Strobist!

A little while ago, after I put up Amanda and Glenn’s wedding at the Merion, I got an e-mail from David Hobby, a man famous worldwide for making flash usage less scary through broad knowledge and clear instructional writing (as well as for a love of cargo shorts). He was curious about the one photo above, which shows the sort of reverse engineering eye he has, because faced with a scene that had great potential but also a lot of technical challenges I sort of threw the kitchen sink of technical tricks at it to pull it off.

You can read a full breakdown of it on Strobist.

(And as for the Strobist readers coming here … hello and welcome. Lots of flash-usage fun in my portfolio and full weddings samples.

Dmitriy - Congrats, Ryan! I just saw the feature on Strobist. Thank you for sharing your techniques. It’s really amazing to me that you can do these in minutes during a wedding and don’t require a grip truck with a small army of assistants.

mike - Congratulations! And loving that blue.

Max - Cool feature Ryan! is where my whole photography adventure started!

James - Congratulations on the strobist feature. I’ve never come across the technique before a very cool idea I’m going to give it a go.

Micah G Robinson | Nashville, TN Wedding Photographer - That’s awesome!
Love the method and glad to have found your blog.
Love your work man, Keep it up :-)

Steve Hale - Saw this on Strobist and came across to say great shot, love it.

Alan Hutchison - Congrats Ryan!

Bryan Petty - One of my favorite shots of yours! And I love your quote from David Hobby’s feature, “I love mixing color temperatures because people tell me not to.”

Michelle - COngratulations and a well deserved feature, this is an absolute stunning shot.

Devon - Glad I found this, I love good examples of strobist work – well done!

Steiner Studios Stage 6 Wedding: Igor and Mishella

New year’s resolution: Let the photos do the talking. I don’t have to tell you that Mishella and Igor were awesome. Any bride with emotion that pure and any groom who can rock a Funky Chicken that hard have to be awesome.

Southern gentlemen Zack Delaune and Taylor Hide were fantastic help on the day, and have a photo apiece in the mix. And the staff at Stage 6 is absolutely top notch. When I hear how solid and comprehensive day-of manager Eric’s pre-wedding run-through is, reiterating lots of things I tell my clients, I kind of want to give him a hug.
View full post »

gabe aceves - ryan, you are my lighting hero. seriously.

Lori - beautiful & fun! love the strobes at the bottom =)

Alan Langley - I have just done my first wedding of the season too. I love the variation in your work – great shadows!! I will be actively seeking shadows from now on.

lana - Love the train tracks one!

Craig Cacchioli - Fantastic images as ever Ryan. Loving the grainy B&W shots.

Jenny - Your work is inspiring!

Jashim - Ryan, i’m seeing some new, crazy creative juices flowing. Nice job!

Brian Di Croce - Ryan! Wonderful, beautiful work! What a great way to kick off the season!

Elissa - So so fabulous.

Heather - Love the portraits of them. All of these are PHENOMENAL as usual.

Sara - Beautiful as always Ryan! I’m in love with the way you work with light, reflections and shadows.

Dennis Pike - Those portraits are SO good. I keep getting better, then you go and raise the bar again. Thanks for never getting complacent.

mike - This is gold, brother.

Julianne Markow - Wow… beautiful! Everything is amazing, I’m so in love with that first frame!

rich - holy cow – these are so awesome! amazing job on this wedding!!

Naureen Bokhari - Amazing work!!

Nick - ryan, do you ever not nail it? dang.

Kim - I just don’t know how you do it. You can take any lighting situation and turn it into a slice of fried gold.

Varun Saran - There are a number of excellent photos here but the roof top silhouette is probably my favourite silhouette ever, just enough detail left in the subjects.. amazing!

Tracy Morter - Oh perfect..all of them. Loving the reflections.

Fer Juaristi - love it my friend!

Daniel K Cheung - Lighting is so smooth in all these frames! That sunset shot is so damn badass.

Dora Mak - I think I see our wedding rabbi in the background :) This is an amazing set of photos!

Dan Cheung - Like a bawsssss.

caroline - wow, ryan! love your choice of compositions & lighting! that shot with the blue-ish photo and the two of them lit up in the bottom corner? so money.

ALMA // - Awesome man! Creative stuff as always!

Nikki Bezel - Everything everybody else has said plus, Ryan Brenizer your so cool. Love your work!

Ilkka K - That has to be one of the best ring shots I’ve seen to date. And it just keeps getting better from there. Amazing work!

Ariana - Every time You post something new my husband and i gather around the computer to see your images. My husband said it best – you are an artist with light!

Marianne Taylor - Well, there’s that shadow shot, and that hairspray shot, oh and the awesome shoe shot, ohh the the bride’s profile, and the reflection, the portraits… and the moments… err actually, it’s ALL amazing. You are the master of light.

eduardo b. - Hi Ryan,

What about the comparison between the D800, D4 and the Mark3?


Bridget Francis - Beautiful – lighting as always stunning and you tell the story of the day so well. Love the ‘dad’ dancing chap!

Joel C - That sunset shot is wicked. Lots of great photos – more artistic than usual for you, Ryan – I like it :)

Belinda Keller Photography - Spectacular as usual! I mean you don’t fool around, you’re getting it EVERY time.

Steve Koo - Some incredibly stuff here, Ryan. Love the portrait reflected into the blue painting, and I love the reflection with the bride dancing on the roof!

nadine - beautiful work as usual Ryan! I love the getting ready shots, especially the one with the shadow of the bride on the wall. Love the simple portrait of her looking down as well.

Neil Redfern - Wow! An incredible set of images – your creativity is frightening!

Iain Gomes - Lovely use of light. And love the emotion in the reception frames. Good work mate!

renata - Love it

Ian Arthur - Lovely pictures. Love the pic of the light and shadow falling over Mishella’s face. Inspiring.

Vangjel Bylyku - nice

Derek - Phenomenal wedding coverage Ryan! You told an amazing wedding story and the exit shot under stage 6 is awesome!

Michelle - Absolutely amazing! Your story telling skill with a camera is so inspiring<3

Fotograf nunta Iasi - Great pictures, amazing light!

Faria Reza - Beautiful!

Ian Baker - Absolutely fantastic photography and so mature in composition. A real pleasure to view, there’s a lot I can take away from these.

Thanks Ian

Coming soon: Mishella and Igor

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They literally roll out the red carpet for you at a Steiner Studios wedding, so I thought we’d have some fun with it.

Lens: 35mm f/1.4
Camera: Nikon D3s

mike - Classic.

Dennis Pike - You’re photography is making me angry, again, Ryan.

MPW - Wow mate, can’t wait to see more!

Ryan Brenizer - Just doing my job.

Jashim - Ryan, I see some new, crazy creative juices flowing. Love this!

jashim - uhhh…def just commented on the wrong post thinking my comment didn’t go through from my phone.

rich - wow – just having fun with it? this shot is frigging amazing!

Robert - wow, love your work – so may websites are “main stream” your’e different – nice one.

Rockstar trashes hotel room at WPPI!

Longtime readers will know that nothing crawls up my spine quite as much as taking wedding photography — a job that, in the end, is about providing a deeply important and heartfelt service to others — and making it about supposed “rockstar” photographers. After all, there ARE no rockstar photographers. Nowhere is the cult of the rockstar more prevalent than the annual WPPI conference in Las Vegas. This isn’t WPPI’s fault — at 16,000 attendees, it’s the biggest show in town.

Anyway, I had the fantastic Stephanie in town for some some shooting, and so I thought we could have some fun with the idea. (I had some Ke$ha style fun with it during prep for the shoot).

The last photo is an illustration of a concept I tell clients all the time: Photography is a wonderful liar because anything outside the frame doesn’t exist. With creative framing can take a classic beauty shot even if you happen to be lying on a bed of Coors light cans.*

I was helped with lighting and styling on this by Sara and Dylan of Sara K Byrne Photography, Boise’s finest. Here Sara shows us how real rockstar photographers roll:

*By the way, the Coors light wasn’t mine. I think we should just make that clear.

Steve Koo - There’s so much I love about that first photo!

Steve Lewis - Good. Cuz I was actually going to say “You spent good money on Coors Light?”

Lukas Gisbert-Mora - Love the hotel room improvisation. Can I ask who makes your website Ryan Brenizer?

mike - The first photo rocks, but I’m digging the last one.

Craig Cacchioli - At last we see the real camera that you use for the Brenizer method…

Desert Adventures » Ryan Brenizer — NYC Wedding Photographer. Problem solver, storyteller. - […] one time, at photography camp, I took a bunch of people out to the desert. And then I took photos of […]

Bryan Petty - Colors light isn’t yours! Bwahahaha, funny! I’m a Stela guy myself.