I loves me some Adobe Lightroom. When you take 200,000+ shots a year, you go for the program with the best ability to take on a massive workflow, and for me, Lightroom is it. But it has a giant problem. In order to get the best color from each camera, Adobe cobbled together color profiles matching what you would get out of the manufacturer’s own profiles, and the color was great. Finally, my reds were red again! But it came at the expense of a few oddities. Highlight clipping became the ugliest rendition I’ve ever seen, and if you wanted to fix that with your handy dandy “highlight recovery” slider? All of your colors would change, and people would go from skin tone to Muppet-land.
Apparently, Adobe has done this on purpose, because it’s easy to fix. Thomas Lester showed me that Adobe was deliberately “twisting” hues as you moved exposure sliders, and that there was a way to untwist them. That way, however, involved a lot of UNIX commands. Now I’m a geek, but I’m what you’d call a middle-range geek. I know some UNIX commands, but it’s not what I consider a good way to spend an evening. So I asked, pretty please, if he could compile “Untwisted” profiles for the D3 and D700 cameras I use.
And what did he do? He compiled them for every camera out there! So if you use Lightroom, and especially if you’re puzzled by color shifts when you use the highlight recovery slider, check out his blog for more information and to download the profiles!
No remember not to throw away your old profiles — Adobe probably has reasons to do the things you do, and you may not be used to the new colors. What I’ve done is start out with everything on the untwisted profiles but keep a normal camera profile option as a quick pre-set, so just one click means I can have both options.