Here’s another from my series I like to call “Well, I’m in Texas, let’s get some models and see what kind of photos we can make by tearing apart hotels.” (I’m not that great at naming collections.)
Here I wanted to explore some different things in content and technique (which, of course, heavily relate to each other). To bring in the exterior lighting where I wanted (the greenish one), I had to shoot at very high sensitivity (f/1.4, 1/60th, ISO 4000), and augmented it with the blue light of an ungelled Litepanel MicroPro. That meant making the interior light as dim as possible — throwing two thick red towels over the desktop lamp that works as the key light.
There is nothing with such stark a connection between the power of the moment and the lack of power of the resulting photography as someone giving a heartfelt speech at a podium. I sometimes mix it up with freelensing because it’s hard, and thus rare, and it sticks in corporate clients’ minds who haven’t seen it before. I know my buddy Sam Hurd likes to do this in the DC press pool, and gets a lot of strange stares. Sorry for any bad influence, Sam.
The official Facebook and Twitter pages for Lightroom and Photoshop, with more than a million followers between them, are discussing the “Brenizer method” of stitching for depth-of-field purposes today. The actual links are a bit twisted around, and it might be hard for people to find their way to my content, but still, there might be some new viewers here today. So hello.
In the meantime, here’s an old video laying it out. Sorry for the terrible sound, and my hair at the time:
On the fun side, I’ve often wondered why, with eight million viewers to my photo stream on Flickr and many more on my blog and Facebook, I get so little hate-mail. Exposing this to a million new people today might change that. Greetings! But to head the hate-mail off, no, I didn’t come up with the name. I called it “bokeh panoramas.” I like to think I have more methods left in me.