Category Archives: photo of the day

Layers of a Lovely Day

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Sometimes the problems solve themselves, at least when you have brides like Jennifer, awesome enough to brave a forest trail in a gorgeous couture gown. We’ve had this strange but beautiful thing where all the rain and nasty weather has fallen on weekdays. The New York Times even had to point out that there is no reason for special seven-day cycle in the weather. Me? I credit karma.

Apparently the reason that sometimes you come to my site and there is no site here is that someone out there has been attacking ryanbrenizer.com for a long time. We’re working on fixing it, but in the meantime, please hold back for a bit, Mr. Cyber-Jerk. I have so much great stuff coming to the blog this week, from gorgeous weddings to camera reviews, that we’ll probably bring the site down all by ourselves.

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G


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Rain in the Rockleigh

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The first time I shot at the Rockleigh Country Club, it was just 36 hours after Hurricane Sandy destroyed the region. This time, I was second-shooting for the fabulous Tatiana Breslow, and during the reception everyone’s phones started clanging with flash flood warnings. So our reaction? Let’s go out in it! Thanks to the Michelle and Michael’s willingness, an intrepid Tatiana lighting, a helpful wedding guest, and four umbrellas, we made this shot work in the driving rain.

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6 II


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Streaming Live at 5 p.m. at BandH.com/wedding!

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This photo makes me happy because it was always my secret favorite from my latest Obama shoot, even if not the obvious choice. There’s a hint of storytelling and context to it with the woman’s hand, the man straightening his tie, and even Pete Souza poking around the corner. The President is still perfectly identifiable thanks to his famous ears, and it’s an angle you don’t get to see often because it is not easy to get two feet behind a sitting POTUS (I had to do a great deal of friendly negotiating with the Secret Service).

I’ve been lucky to be in lots of wild situations, and today brings a new and exciting challenge — I’ll be speaking about business and how I keep things fresh and exciting despite my massive workload today thank to B&H Photo Video Pro Audio, and we’re streaming it for FREE! at http://bandh.com/weddings. See you at 5 p.m. Eastern!

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G


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Watching over Cristian (Viña Santa Rita wedding)

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This is probably my favorite “tilt-shift candid” I’ve taken. The groom, named Cristian, prays during his wedding ceremony in Viña Santa Rita – Copiapo, Chile. Thanks to Kyle Hepp for having Tatiana and I tag along for this gorgeous wedding. She’s just posted more photos and the slideshow on her blog: http://www.kylehepp.com/2014/03/matrimonio-vina-santa-rita-2/

Lens: 45mm f/2.8 PC-E
Camera: Nikon D4


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Going Nuts With Hues in the New Studio

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We’ve been up to a lot of big things behind the scenes over the off-season, and the biggest is a move to a new studio in Cobble Hill, Brooklyn! It’s coming together as a fantastic place for meeting clients and being relentlessly productive in style, but as a photographer one of the things I’ve been most excited about is the lighting. We have the place tricked out with Phillip Hue lights, smart LED bulbs that can transmit 16 million colors, controlled by software on your phone.

So I thought we’d get a little crazy. This whole scene, from key lights to hair lights to rim lights to the tonality on the walls, is lit just by the two light fixtures you see, and a third Hue on an extension cord, composited into a LOT of frames.

Yes, this is how Tatiana and I amuse ourselves on a Tuesday night. We get to create something a bit different than I’d ever seen before, practice iterations of some new techniques we’ll be tweaking a lot this year, and have a great time doing it.

This is just a small corner of the studio … you’ll see more soon!

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6


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The Year of the T.

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I’ll do a real “look back at 2013″ post on a week when I’m not shooting two weddings, but on a personal level this one is the only photo I need. 2013 had so many incredible ups and downs, but through it all it was colored and flavored by my extraordinary girlfriend Tatiana. My life has changed in so many ways … and I’ve eaten so many fantastic breakfasts … thanks to her and her spirit. And I can’t wait until 2014 and all the rest because of her.

Thank you, T.

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6


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Brooklyn On My Mind

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This picture from a recent engagement shoot with Brett and Annette makes me happy because it makes me think of home. I’ve just settled into Barcelona where I am working away, sitting an at Apple store just because it’s the only place with decent upload speeds I’ve found in the city, but I have happy thoughts of my clients, and of my own soon-to-return life in Brooklyn with a lovely lady and a feisty dog.

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G


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Greetings from Spain!

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I’m in Sevilla, where I gave my first live-translated workshop today — and it went very well, so it won’t be my last. This is very much a working vacation as I have a lot of great weddings to show, but I wanted to take some pictures that shouted “SEVILLA!” while I was here. With the help of the fantastic flamenco dancer Marina Valiente and assistance from the lovely Tatiana we took to the streets for as long as we could stay warm at 2 a.m. — especially since I was lying in a dubious puddle to take this shot.

Camera: Nikon D4
Lens: Sigma 12-24mm f/4.5-5.6


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Don’t Rain on My Parade

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Weather geekery has it’s rewards.

At 3:15 p.m., before the ceremony, dark clouds started to roll in. Jillian looks at them nervously and says to Ryan (the other Ryan) “IS it going to rain?”

He says “No, we’ll be fine.”

“I don’t know …”

“You’re going to be OK,” I interject. “It won’t rain until just about the end of your reception, when it doesn’t matter anymore, but when it does come it will come fast and hard.

She considers it. “OK, him I trust.”

Six hours later, we stop outside for a quick night portrait. This scene is pitch black. 0.8 seconds, ISO 3200, f/1.8 — black to the eye, not to the camera. As we start, a few rain drops come down, and then a few more. I know to hurry. Since we were using video light and a long(ish) exposure, you get a different sort of effect than freezing raindrops with a flash. I like it, a different sort of accent to the scene. We shoot fast, I get them inside … and then the skies open, rain streaming down the windows.

Geeks have their day again.

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G


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