I’ve been talking so much about the full-day workshop on Oct. 12 and 13 that I haven’t really highlighted the separate Adorama talk on Monday. At the last talk, I saw a lot of interest about the process and potential of flash composites, so I want to devote an entire lecture to laying it out in a way that’s clear to understand, both in terms of how to put a composite together and some of the practical applications.
There’s nothing new to the idea of erasing your lighting equipment from a photo — the idea is almost as old as commercial photography itself. But that’s the beauty of it — so many of the looks that are in our visual vocabulary come from this process, and what I’ve tried to do is streamline it to make it really easy. I shoot well over a hundred jobs every year. I can’t do anything that requires a lengthy bout of mucking around in Photoshop. The photo above took three minutes to shoot (it was raining after all), and about three minutes to put together. I processed it over a few bites of dinner at the reception that same day. And it achieves an effect that would be quite tricky to do with independent lights — throwing up grid spots to light under their umbrellas is not something I’d like to do on a rainy day in Central Park.
No to mention all of the potential for supplementary lighting, such as the highlights on the walls here:
Again, three minutes to shoot. So for $35 and a couple hours of your time, you should walk away ready to do this yourself. Sign up here!