I couldn’t have had a better time at Saturday’s workshop, and was absoutely thrilled with how everything went — my staff, Isla and Thomas, did a killer job throughout, Phillip Stark could not have been more gracious a studio host, and our models and couples were top-notch! But, as they used to say in Reading Rainbow, “You don’t have to take my word for it …” When you have an audience filled with 35 people, almost all of whom have a blog, you know there are going to be a lot of independent reviews. The first comprehensive one I’ve seen is this article by Dmitri Gudkov, but let me know if you have any others and I’ll add them to this entry!
You can also see 117-and-counting attendee photos here, including proof that it is nearly impossible to take a good shot of me while I am talking.
(Photo by attendee Jeniel Corpuz)
UPDATE:I randomly stumbled across this review in a Nikon forum by one of the attendees. Since he didn’t think I would see it, that means he’s not sucking up to me. ;-)
I am inspired by his shooting philosophy. He lives for the “worst” shooting conditions and actually gets bored when things go right the first try. I take that as always learning and being prepared for the worst. I also appreciate his take on ‘getting it right in camera’. I hate using photoshop and really appreciate the fact that he can get such great results with spending 5-10 secs per image and sometimes not even touching them.
I highly recommend his workshops and I will be attending one of his in the future again.
UPDATE: A nice review by Zack Delaune, who came out from New Orleans for it:
After two days of hanging with Ryan, I knew this wouldn’t be any normal workshop. And he confirmed that right out of the gate by starting the discussion with the “why” of photography rather than the “how”. His philosophy on the subject definitely changed the way I think about photography, and especially wedding photography. So, big thanks to Ryan for flipping da script, as the kids say.
Once we got into more technical things, we discussed bounce flash techniques, the “Brenizer Method”, and quick flash composites. In that portion of the workshop, Ryan focused on tools we could add to our bag of tricks to make us more versatile photographers, even in undesirable situations. He demonstrated by making some beautiful shots in the ugliest flourescent-lit hallway I have ever seen. This was a refreshing reinforcement of something that I have been preaching lately to anyone who will listen. To get a beautiful shot, you don’t NEED a “beautiful” location
UPDATE: Here’s a nice video by Brett Maxwell showing the process of the shot shown here. I didn’t know I was being recorded and wasn’t speaking with that in mind, so hopefully you can pick up some of the audio. And although it sounds like I was overshooting, taking thousands of shots, those are the sounds of all the attendees’ DSLRs behind Brett. When I’m thinking about shooting, and not about talking, I say “you know” a lot. But before and after this I explained to the attendees more about the process, and showed the results.