The Bejewled Sea

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I am so blessed to be surrounded by so much amazingness every weekend. If a picture is worth a thousand words, this month alone I’d be writing a novel somewhere around the 80,000-page mark, so you can imagine how hard it is to condense this stuff into a few words in blog intros. So just … wow. Here’s one from yesterday. So much more to come.

Camera: Nikon D4
Lens: 31-image “Brenizer method” panorama with the 70-200mm f/2.8G VRII (equivalent of 104mm f/1.4 according to Brett’s calculator)

The Next Step

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I discussed in my recent CreativeLIVE talk that there are ways to push beyond your normal envelope while still doing your duty to your clients, and also that good photos require a lot of intentional choices on behalf of the photographer. Here’s a breakdown of all the thought that can go into a capture of 1/1000th of a second:

For this photo I wanted to provide a different spin on the standard first-kiss shot, coming in from behind and shooting wide. This would replace the standard isolation with an image that shows the family in the background and a unique element of Kristen and Steven’s wedding — two officiants, a rabbi and a priest — in the foreground. They are coming together not just as individuals, but blending religious and cultural traditions, and so they are framed right in between, with their joy palpable. But that standard shot is important, so I also made sure that my second shooter Jashim got a nice, safe 70-200 shot from the front. I try to use foreground elements to block out less important background elements, like Jashim and the videographer, and while not perfect the framing and depth of field de-emphasizes them. Had I moved over more, I might have committed a more important sin of being obtrusive at this important moment. With the openness of the layout and the joy of the moment I was able to dart in and get this without taking away from this celebration for the audience. For me, the best wedding moments are both symbolic and particular to the couple. Most importantly, there is a combination of being ready for the shot, standing in the right place at the right time, followed by a hundred tiny decisions in a few seconds to make it right. Move, wait, move — and along the way don’t make it about yourself.

Camera: Nikon D4
Lens: Nikon 28mm f/1.8G