The Digital Wedding Forum has featured my work as a photographer! This is a huge honor for me, as previous subjects have included world-renowned photographers such as Cliff Mautner and Susan Stripling. Very cool! The DWF is a great forum for photographers, and I’m really looking forward to the Nashville convention in January.
I suppose my style is to hold as light a touch as possible on post-processing … but if I do, do it like I mean it, which is to set up shots with the post-processing already in mind. The “Brenizer Method,” of course, relies on Photoshop. I actually am coming up with ideas now to use specific compositions and techniques to breathe some new life into a Photoshop technique that photographers tend to revile, but more on that later. In this case, I shot this as a composite of four frames, using just one little speedlight to light the couple.
I like to travel light, especially on engagement shoots. In New York, there are plenty of places where if you set up a light stand and a tripod, you will be swarmed by police, park officials, and in one case a National Guardsman with a machine gun. Yikes. But I love the light-canceling effects of big lights. The way to get there with a small light is to get in really close. The way to do that with freedom while not getting in the frame? Composite.
Of course, composites require tripods, and you remembered what I said about the guys with machine guns, right? In this case, I stood the camera on my rolling camera bag and propped up the lens with a lens hood. Wedding photographers are McGuyver at heart.
FYI: Not HDR. All of the frames were at the same exposure settings.