I featured Emily and Jeffrey here not long ago when they got engaged, showing off the “bokeh panorama” technique I invented, so what better than to do it again when they were married? To turn the Christmas lights behind them into a fiery glow, this image is actually the product of 17 images taken with a wide-open 85mm f/1.4 on a Nikon D700. This allows for a much shallower depth of field than you’d normally get at this frame of view (not to mention that you could basically make a print the size of a billboard from this).
Another from my shoot with Dr. Jim Fisher, author of the forthcoming “On the Irish Waterfront.”
Shooting notes: This shot uses the wonder of Auto-FP mode on the SB-900, which uses rapidfire pulses instead of a single flash to allow syncing at any shutter speed, even, as I used here, 1/8000th of a second (to get those ominous clouds really dark). You lose a lot of power, though, so I was holding the flash attached to a a Lumiquest Softbox III just an inch or so outside the frame, very close to his head. Fired at 1/2 power. Nikon D3, 24-70mm f/2.8.
Who knew that a couple who works in international policy could be so darned hot? I knew this would be a great wedding after Eva, Cris and I had a fun, very New York engagement shoot, and the wedding day itself was also as Manhattan as it can be: the ceremony and reception were at the Terrace in the Sky, next to their (and my) old stomping grounds of Columbia University, where they met. It was a beautiful day — I think October had the best weather this year by a country mile — and it continued well into the night. I shudder to think of how many languages were spoken by the collective guests.